How do the expectations of society transfer onto the human condition when we as humans embody the power of the contemporary vision of 'right and proper', 'religious and irreverent'?
Sponsored by Asian Improv aRts Midwest.
Special thanks to Grandmaster Fujima Shunojo.
Photo by Kioto Aoki
A New Name
After 20 years of working as IEL, we made the decision to change our name from Innocent Eyes and Lenses to Asian Improv aRts Midwest in 2004. This change was made in order to reflect the community that IEL has been serving since its inception as well as to recognize the partnership that has been established with the San Francisco-based Asian Improv aRts. Founded by musician and community activist Francis Wong, Asian Improv aRts has been a leader in building community through the Asian American cultural arts on the West Coast for two decades and we are honored to be a part of the Asian Improv family.
AIRMW has had tremendous success in connecting artists, community organizations and the city's cultural institutions and has presented programs featuring world-class artistry while remaining rooted in the Chicago Asian American community. AIRMW has collaborated with and/or received support from organizations that include the Japanese American Service Committee (JASC), the Jazz Institute of Chicago, the Museum of Contemporary Art, the Chicago Cultural Center, the Illinois Arts Council, the Illinois Humanities Council, the Richard H. Driehaus Foundation, the National Endowment for the Arts, the Boeing Corporation, the Japanese Chamber of Commerce and Industry of Chicago Foundation and Meet The Composer among many others.
In 1977, Aoki left Tokyo to study experimental filmmaking at the School of the Art Institute of Chicago, where he is adjunct Full Professor in the Film, Video and New Media Department and teaches film production and history. He also is a visiting professor at Northwestern University. He has produced more than thirty experimental films and is one of the most in-demand performers of bass, shamisen, and taiko, contributing more than ninety recording projects and touring internationally during the last twenty-five years. Aoki is Founder and Artistic Director of Chicago Asian American Jazz Festival, which observes its twentieth year in 2015. Named President of San Francisco–based Asian Improv Records (AIR) in 1999, he has managed or produced more than forty AIR albums, notably the Max Roach and Jon Jang collaboration The Beijing Trio, and several projects in the hip-hop and Asian Pacific American arts arenas, from film screenings to concert series.
Aoki was named one of 2001’s "Chicagoans of the year" by Chicago Tribune for his cross cultural music and has performed with masters such as Roscoe Mitchell, Don Moye, pipa virtuoso Wu Man, and the late Chicago legend Fred Anderson. Aoki's suite ROOTED: Origins of Now, a four-movement suite for big band, premiered in 2001 at Ping Tom Memorial Park, and was performed at the Chicago Jazz Festival and at MCA Stage as part of Chicago Asian American Jazz Festival. Additional notable releases include Basser Live (1999) and Basser Live II (2005), recorded live at MCA Stage; The MIYUMI Project (2000), Symphony of Two Cities(2002), and Posture of Reality with Wu Man (2003). The Asian American Institute awarded Aoki the Milestone Award in 2007 for his contribution to Chicago-area arts. In 2010, he received the Japan America Society of Chicago’s Cultural Achievement Award as well as a 3Arts Artist Award. He received the “Living in our Culture” award this year by the Japanese American Service Committee in 2014 and Jazz Heros’ Award by National Jazz Journalist Association in 2015.