Preview

Chicago's Own Humanitarian Hero Rescues Kyiv City Ballet of Ukraine with First Ever U.S. Tour

 

You’d never expect three 19th-century icons of classical ballet perfection to intersect with a 21st-century war and lethal international politics, but that’s exactly the crossroads where the Kyiv City Ballet of Ukraine found themselves with Russia’s brutal attack the day after the company had landed in Paris for performances. Unknowingly escaping disaster, the company had taken one of the last flights out of Kyiv and found themselves in exile from their homeland. They have not been able to return since.

Preview: Never been stronger; Chicago Black Dance Legacy Project presents "Reclamation" at the Pritzker Pavilion

 

A comprehensive 2019 report by Candid, Sustain Arts and See Chicago Dance, titled “Mapping the Dance Landscape in Chicagoland,” shocked members of the dance community with several startling statistics: From 2002 to 2016, the number of dancemakers in Chicago had increased by 23%, but two-thirds were making less than $15,000 a year, and roughly half were people of color. Furthermore, only three out of eighty-seven nonprofit dance organizations received more than half of all philanthropic funding despite an increase of 46% in institutional philanthropic funding for dance.

Preview: Ruth Page Civic Ballet extends its founders legacy to Ravinia with inaugural performances this weekend

 

While spending time combing through past issues of “Dance Magazine” at the Harold Washington Library, I realized for the first time how prolific dancer/choreographer Ruth Page was during her career. She is mentioned in nearly every issue, often covered by longtime Chicago dance writer Ann Barzel. Page is always pushing boundaries, always moving forward, always working on a new ballet, often to rave reviews. Seeing the immensity of Page’s work spread out in front of me instilled a sense of awe and, as a Chicagoan, a sense of pride.

Words Drive Cathy Marston’s Ballet Premiere, “Of Mice and Men”

When asked what drew her to John Steinbeck’s 1937 novella, “Of Mice and Men,” British choreographer Cathy Marston said, “It asks all the questions that invigorate me—faith in friendship, why people are so isolated…”

See Chicago Dance reached Marston by phone during a break in rehearsals at Joffrey Tower where she is putting the finishing touches on the world premiere production, opening April 27th at the Lyric Opera House. (See below for details.)