Shadows Across Our Eyes continues themes of independent trajectories between mover and viewer that intertwine and entangle. Neon lines in tension cut the space, iconic stand-offs back away and move into active self-bindings, outwardly focused mind states morph into inward unknowable personas. With no clearly defined performance area viewers experience the performance from inside and out, edging around a suspect center trapped and entangled across a divide. Bodies squatting, lunging, suspended, assessing; hover, scrimmage, quiver, scurry; shaking, shuddering, molt, trip and drag. Eyes closed—anti-heroes and limited views shut down, worn down, torn shut. Narrative fragments unblended, side by side, false oppositions and mythic fluidities, one marking the edge of another.