reviews

+ Advanced Search

An evening with Winifred Haun & Dancers and BodyStories: Teresa Fellion Dance

Joanna Furnans | May 9, 2018

Chicago Dance Month Brings Laughter and Legacy to the Joel Hall Dance Center

Lauren Warnecke | May 2, 2018

Insects, embryos, and lovers: Kaori Seki’s “water and tears”

Joanna Furnans | May 2, 2018

Zephyr’s ‘Shadows Across Our Eyes’ unveils new venue: SITE/less

Lauren Warnecke | Apr 29, 2018

Chicago Dance Sails Into May

Lynn Colburn Shapiro | Apr 24, 2018

Our Readers Write: Remembering Ruth Ann

Marie Grass Amenta | Apr 23, 2018

First of three ‘Moving Dialogs’ demystifies choreography, raises big questions

Lauren Warnecke | Apr 18, 2018

Bodies in Turmoil Common Thread in Visceral’s “Spring Five”

Lynn Colburn Shapiro | Apr 9, 2018

Ambitious Chicago Repertory Ballet Shows Who They Want To Be

Lauren Warnecke | Apr 9, 2018

Bebe Miller and The Syntax of Movement

Joanna Furnans | Apr 8, 2018

Mad Shak at the Dance Center: When the Process is the Product

Lauren Warnecke | Apr 1, 2018

Giordano Dance Keeps Home Fires Burning

Lynn Colburn Shapiro | Mar 26, 2018

Cerrudo: From Sketchbook To Masterpiece in Grand Gallery Showcase

Lynn Colburn Shapiro | Mar 25, 2018

Chicago’s April Celebration of Dance!

Lynn Colburn Shapiro | Mar 21, 2018

“Lie Through My Skin,” A Bizarre Combination of Flavors That Taste Ok Together

Lauren Warnecke | Mar 20, 2018

The Unexpectable Ecstasy of “Layla and Majnun”

Lynn Colburn Shapiro | Mar 19, 2018

Dance As Music the Key to a Good Time at City Winery

Lauren Warnecke | Mar 15, 2018

Multiple Generations Take a Jaunt “Into the Forest”

Lauren Warnecke | Mar 7, 2018

Eighth Winning Works is Polished and Professional (per usual)

Lauren Warnecke | Mar 7, 2018

“One Line Drawn” Raises the Barre for Both Brian Brooks and Miami City Ballet

Lynn Colburn Shapiro | Mar 6, 2018