Tremor is artist and composer Samita Sinha’s latest performance work. In the piece, Sinha explores what she describes as “the practice of attuning oneself to the raw material of vibration and its emergence in space, as well as unfolding the possibilities that arise from encounters between this sonic material and other individuals.” Tremor is born from Sinha’s practice of decomposing, distilling, and transforming Indian vocal traditions through the body, employing sound as a vessel that harnesses and liberates energy through oneself. Through this practice, what emerges is a new language with the potential to challenge our thinking, reconfigure our relationships, and open new forms of collaboration. In Tremor, Sinha asks how we might reactivate our relationship to life itself through our sense of vibration, despite the numbing and distorting effects of coloniality and modernity. How can our voices be vessels to repair the fabric of our interconnection and open generative possibilities? How can we relearn to listen?
Performed in relationship to a live sonic environment created by composer Ash Fure, and within a space designed by architect Sunil Bald, Sinha is joined on stage each night by a rotating cast of sound-and movement-based collaborators. The casting schedule will be announced in the coming months.
Tremor was co-commissioned by Western Front (Vancouver, CA) and Danspace Project (New York).
This performance is part of On Stage: Resonance, organized by Tara Aisha Willis, former Curator in Performance, with Laura Paige Kyber, Curatorial Associate.
The performance on Saturday, April 20, features Audio Description.
