Go Live Chicago

DCASE is partnering with Choose Chicago to tackle the urgent need to get Chicagoans back out and attend performing art shows again. Why? Out of all businesses, performing arts took the biggest hit coming out of the Covid-19 pandemic. As an impact, an entire field is in peril. Actors, dancers, performers, musicians, technicians, or theater managers, all need our help to save this Chicago staple that is performing art.

Strategy:

On the Move

UPDATE: The Tuesday, June 13th Performance has been cancelled due to inclement weather. We are working to reschedule and will provide more infomraiton when it is made available.

 

Dayton Contemporary Dance Company presents “The Blackest Berry: Dancing African Diaspora,” May 6.

 

The phrase “the blacker the berry, the sweeter the juice” has taken on different meanings since the first recorded use in the late 19th century. At once a term of affection, more recently the phrase has become a metaphor for how slavery in the United States has affected Black communities, the metaphorical fruit that grew from numerous African ethnicities being forced together through inequality, discrimination and oppression.

Neumeier’s “The Little Mermaid” Elevates a Tail to Greek Tragic Proportions

 

John Neumeier’s surrealist psychological take on Hans Christian Andersen’s classic tale, “The Little Mermaid,” written in 1836, pays close attention to the 19th-century author’s cosmology. “Be careful what you wish for” could easily be the subtitle for both cautionary tales.

Hedwig Dances presents the U.S. premiere of META MOR PHOS, sequel to Oskar Schlemmer’s Triadic Ballet

 

It has been one hundred years since the debut of the surreal Triadic Ballet (Triadisches Ballett) that premiered in Stuttgard in 1922. A work in the Bauhaus style, its colorful automatons, built of oblong shapes, dance nimbly around a colorful void. Hedwig Dances and Bauhaus Dessau have co-produced an official sequel that is every bit as imaginative and “out there” as the original.

ABT Zigs and Zags Across Contemporary Canvas at Chicago’s Auditorium Theater

 

American Ballet Theater continues to dazzle Chicago audiences with high-octane dancers, precision execution and, sometimes, dramatic intensity that transcends their beautiful bodies and phenomenal technique. ABT, how we have missed you!
The highlight of the evening for me was Christopher Rudd’s duet, Touché (2021), danced by Calvin Royal III and Joaaô Menegussi. The clever title clues us into the double-entendre of touch, and the exclamation, touché, of a fencing match that has been fought and won, here perhaps by both sides.

Ballet 5:8, Phenomenally

 

Grounded, erky-jerky movements with cave-like crawling are not the typical description you would use when describing a ballet performance. And yet, this is precisely the goal. Ballet 5:8 is not your average or typical dance company.  Rooted in faith, led by a Latina woman and intentionally collaborating with women designers who prioritize sustainability, Ballet 5:8 is unwavering in their eleventh season with their unique vision to ensure ballet is fresh, functional and accessible to everyone.