“Absent Moon," by Winifred Haun & Dancers, which premiered October 18th at the Studebaker Theater, weaves together solo performances, duets, and group dynamics to create a vivid tapestry of connection and isolation that highlights the nuanced relationships among the dancers. Haun’s choreography intertwines small, everyday gestures with classical modern dance techniques, grounding the piece in relatable experiences while evoking larger arcs of emotional upheaval.
As the dancers interact both individually and collectively, their movements transition from tension to expansive release, embodying the anguish, aggression, and vulnerability inherent in conflict. Brief moments of harmony such as in a partnership between two dancers, or the stillness of a single body, emerge amidst the chaos, suggesting potential reconciliation. This interplay emphasizes that while conflict may not always be visible, it continuously influences our actions and relationships.
A few times throughout the work, three dancers created a visceral game of "monkey in the middle" upstage, with the central figure being tossed between the two others in a flurry of intense gestures—stabbing motions, strangling grips, and simulated fighting. This chaotic interplay served as a stark contrast to the serene movements of the dancers at center stage, who gracefully navigated the two benches, embodying a sense of calm.
"Absent Moon," with Winifred Haun & Dancers
Together, these contrasting scenes illuminate the idea that while conflict may not always be at the forefront of our consciousness, it is constantly simmering in the background, influencing our actions and relationships. The interplay between the turmoil upstage and the poised choreography at center stage serves as a powerful reminder of the unseen struggles that shape our lives, compelling the audience to reflect on the complexities of the human experience.
The vast and inventive sound design by Barry Bennett adds an esoteric depth to the performance. Beginning with the sound of rain punctuated by squeaking rubber and door hinges, the score evolves to include Cole Porter’s “Every Time We Say Goodbye,” culminating in a score featuring heavy percussive elements and scraping metal that evokes the disharmony central to the work.
While the majority of the work lived within the abstract sound score designed by Bennett, one standout section, a duet performed by Vernon Gooden and Crystal Gurrola, switched to a song with words. Instead of immersing themselves in the choreography, viewers found their thoughts anchored to the song's narrative, limiting the rich, personal connections that could arise from the dance on its own. This lyrical content overshadowed the subtleties of the performance, hindering the exploration of its deeper themes and meanings.
Absent Moon is a compelling addition to Winifred Haun & Dancers' repertoire, balancing technical brilliance with profound emotional storytelling. It solidifies Haun's reputation as an innovative choreographer, making it a must-see for both Chicago dance aficionados and casual audiences. I look forward to seeing where her artistry will take us next.
"Absent Moon," with Winifred Haun & Dancers
The evening included five shorter works from the company. In “On My Body," choreographed by Darryl Clark, dancer Vernon Gooden captivated the audience by performing in flowing white sheer pants, embodying elegance and strength. While the choreography predominantly features classical ballet movements, the performance was infused with contemporary twists, such as parallel leg positioning and contorted shapes made with Gooden’s body that defy traditional boundaries. This dynamic blend created a striking visual contrast, highlighting the tension between grace and raw expression, a powerful exploration of identity and freedom.
“When the Rain Speaks” is a poignant duet choreographed by assistant artistic director Julia Schaeffer and performed by company dancers Lacy Slaats and Dillon Zamora. Dancers moved with elegant cohesive energy, their movements not fluid like water but viscous like oil. The program also features “Your Nearest Exit May Be Behind You” (2016) and “Bento” (20212) both choreographed by Winifred Haun and “The Fight To Be Found” an athletic work for six dancers by Chicago choreographer Imani English.
Humanity's inherent attraction to conflict arises from our complex nature, where opposing desires, beliefs and emotions coexist. This draw is rooted in our need for growth and understanding, as conflict challenges us to confront limitations and reshape perspectives, sparking creativity and innovation. Winifred Haun & Dancers' "Absent Moon" explores the transformative power of conflict, reflecting the cyclical nature of struggle and resolution.
For more information on Winifred Haun & Dancers, click the company link below.
