Miguel Gutierrez’s “Super Nothing,” presented at the Museum of Contemporary Art, March 28-30, as part of the “On Stage” program, explores absence, both philosophical and artistic, immersing the audience in a space where identity and meaning dissolve into pure movement. It evokes the ultimate void, where the self disappears and emotion fades into the background, offering a temporary escape from grief and loss. Through this embrace of emptiness, the performance provides a moment of release, allowing the audience to transcend sorrow and find solace in the stillness.

Winifred Haun and Dancers' “First Draft” uplifted audiences at Link Hall this past weekend, showcasing thirteen premieres by emerging Chicago choreographers and dancers. Its title nods to the creative process, where every choreographer refines their work through multiple drafts, with each piece presenting original ideas that highlight diverse voices, engage audiences and explore global themes.

Northern Lights made a rare appearance last October in Chicago, drawing major attention to our night skies. Urban light pollution typically limits the experience of celestial phenomena in the city, but independent choreographer Kimberly Baker has always been curious about the cosmos and how it might connect to dance. As Chicago witnessed the Aurora Borealis, Baker initiated a deep dive into the wonder of outer space in preparation for the “Earth Below Us” concert March 14 &15 at the Ruth Page Center for the Arts.