Preview: Ruth Page Civic Ballet extends its founders legacy to Ravinia with inaugural performances this weekend

 

While spending time combing through past issues of “Dance Magazine” at the Harold Washington Library, I realized for the first time how prolific dancer/choreographer Ruth Page was during her career. She is mentioned in nearly every issue, often covered by longtime Chicago dance writer Ann Barzel. Page is always pushing boundaries, always moving forward, always working on a new ballet, often to rave reviews. Seeing the immensity of Page’s work spread out in front of me instilled a sense of awe and, as a Chicagoan, a sense of pride.

Review: Identity Performing Arts presents “Fearless,” an evening of original work and one premiere by Ginny Ching-Yin Lo

On May 5 at The Myron R. Szold Music & Dance Hall, Identity Performing Arts presented “Fearless,” a series of repertory works and one premiere by choreographer and company artistic director Ginny Ching-Yin Lo. The works were set on a small company of dancers and performed to music both recorded and live, with sweeping soundscapes created by experimental electronic duo “Chromabeats,”—whose members are named Mancho (Marshal Greenhouse) and functionless (Wiebe Dirk)—with the addition of Alex Brinkman on cello and Eli Lu on keyboard.