Crash returns to live in Chicago with a show so energy-packed you can literally feel it

To get to “The Final $tage,” Chicago Dance Crash’s first live, local performance since the pandemic begin, I arrived at the front desk of Lakeshore Sport & Fitness, located at a bustling Fullerton Ave. spot that’s sort of Lakeview and sort of Lincoln Park. A few friendly staff members helped me sign my life away—waivers and disclaimers and uploaded IDs aplenty—and then directed me to four flights of stairs lined with breadcrumbs in the form of yellow balloons.

African Crossings: Where vulnerability and resilience meet

Thobile Maphanga, curator mentee for this year’s JOMBA! Contemporary Dance Experience, introduced the African Crossings Platform by reminding viewers of a crucial festival directive: creating connections with some of Africa’s most prominent, groundbreaking and inspiring dancemakers. The program, which featured four commissioned screen dance films from Robert Ssempijja (Kampala, Uganda), Bernardo Guiamba aka Pak Ndjamena (Maputo, Mozambique), Gaby Saranouffi (Antananarivo, Madagascar) and Marcel Gbeffa (Cotonou, Benin), certainly delivered on this imperative.

Remembering Miss Wills: "The good, the true, the beautiful"

In 1967, Phyllis Wills and fellow teacher Kerry Hubata had been teaching ballet at Gus Giordano’s Evanston studio for three and a half years. When it became clear that the ballet division of the school was not bringing in enough revenue to sustain itself, Gus reluctantly told them, “You’re free to open your own school.” They had no intention of buying the building on Central Street that became the Evanston School of Ballet. All they wanted to do was find a space to rent where they could continue teaching together. Today, some 53 years later, the school continues to thrive.

JOMBA! 'African Crossings' poses questions best left for dance to answer

What does it mean to belong? What does it mean to be resilient? What does it mean to be yourself? These are just some of the questions asked by the “African Crossings” performances during the 2021 JOMBA! Contemporary Dance Experience. Four dance films premiered Tuesday and featured work by Robert Ssempijja, Bernardo “Pak” Guiamba, Gaby Saranouffi, and Marcel Gbeffa. I was immediately drawn in by the first piece, “Alienation,” by Ssempijja and this focus continued as the very different pieces were unveiled.

Man vs. self or man vs. nature: JOMBA! South African 'Crossings' embarks on two distinct journeys of discovery

The collaborative efforts between Georgina Thomson and Vrystaat Kunste Vees of the New Dance Festival and JOMBA! Contemporary Dance Experience culminated in the premieres of two dance films as part of their South African “Crossings” series. Since its inception in 2004, this residency program brings choreographers, composers and dancers together with a shared desire to create thought-provoking work through a diverse lens. This year’s chosen choreographers were Sylvester Thamsanqa Majela and Sizakele Mdi.

On Location: JOMBA! Open Horizons short films uncover importance of place

On Aug. 29, the 23rd JOMBA! Contemporary Dance Experience released the second digital iteration of its Open Horizons short and long form film platforms. The short form category, featuring films from 1-3 minutes in length, brought together screen dance works submitted by artists across the African continent with representation from South Africa, Madagascar, and Kenya among the seven finalists.

Like dust in the wind, a South African village faces its ephemerality in Garage Dance Ensemble's latest film

Seeking to share the stories of the Namaqua people and incorporate contemporary dance into their own spaces, choreographer Byron Klassen brings us into the homes, yards, churches and communal gatherings of the copper mining community of O’okiep located in the northern region of Namaqualand, South Africa. 

Event Type
Workshop

 

Dance for Camera Fundamentals:
Harmonious Camera Movement with the Dancer
Instructor: Enki Andrews

 

This free, predominantly online course will provide aspiring dancemakers for film with a fundamental knowledge of how to operate consumer-grade cameras and cellphones to capture the aesthetics of dance successfully. The focus will be on achieving harmonious camera movement with dancing bodies. Guest speakers and mini-projects, where you will apply skills and techniques taught during each workshop, will supplement Enki’s teaching. (Please note: This course will focus on camera capture, not address post-production editing.) Requirements include a cellphone, tripod, webcam and internet access. Students will also be required to be their own performers and share their weekly at-home performances with the group.

While there is no cost for the workshops, registration is required for each of them. Video recordings of each workshop will be available for free on SCD’s Vimeo channel after each event. COVID-19 protocols permitting, there will be two collaborative workdays where students will work together both outdoors and in an indoor studio setting. You do not need to be an SCD member to register; non-dancers are welcome to participate.

The course is broken up into two sections.

  • Static Camera Basics
    Workshops 1 – 4 are three-hour sessions that address technical knowledge of the camera as well as basic aesthetic approaches and influences.
  • Moving Camera Methods
    Workshops 5 & 6 last three hours each and will focus on the technical aspects of using a camera in motion as well as creating harmonious camera movement. Guest speakers to be announced.

     

    Workshops 7 & 8 last six hours each.  These collaborative project days will be in an outdoor setting on one day and in a studio on the other day (weather and COVID-19 protocols permitting).

 

In 2022, SCD will present a second series of Dance for Camera workshops that will focus on editing, marketing, and submission to film festivals. Along with more advanced training and mentorship, there will be an opportunity to receive a small grant to support your dance film. We strongly recommend that you participate in at least half of the workshops this fall so you have the skills to apply for the Year 2 workshops in 2022. SCD anticipates publishing a call for proposals around the new year.

 

Photo Credit: Nejla Yatkin by Enki Andrews.
Photo Caption: A woman in a black top wearing a long red skirt flowing behind her in the lake front breeze. Her arms stretched above her head, palms open, behind her we can see the dark blue of the lake and the light blue of the sky, in the distance there is a lone white sailed boat.

José Agudo’s ‘TEN' a ritualistic gaze at internal and external demons

“TEN” is an ambitious and highly physical work by UK-based choreographer José Agudo in collaboration with the dancers of ACE Dance and Music. While it originally premiered in 2017, it is being shown virtually as part of JOMBA! Contemporary Dance Experience’s 23rd annual festival. Its themes of leaving home, migration and imagined destinies are especially poignant now as we have all spent the last year and a half in and out of various stages of lockdown.