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Cerrudo: From Sketchbook To Masterpiece in Grand Gallery Showcase

Lynn Colburn Shapiro | Mar 25, 2018

Chicago’s April Celebration of Dance!

Lynn Colburn Shapiro | Mar 21, 2018

“Lie Through My Skin,” A Bizarre Combination of Flavors That Taste Ok Together

Lauren Warnecke | Mar 20, 2018

The Unexpectable Ecstasy of “Layla and Majnun”

Lynn Colburn Shapiro | Mar 19, 2018

Dance As Music the Key to a Good Time at City Winery

Lauren Warnecke | Mar 15, 2018

Eighth Winning Works is Polished and Professional (per usual)

Lauren Warnecke | Mar 7, 2018

Multiple Generations Take a Jaunt “Into the Forest”

Lauren Warnecke | Mar 7, 2018

“One Line Drawn” Raises the Barre for Both Brian Brooks and Miami City Ballet

Lynn Colburn Shapiro | Mar 6, 2018

March Double Header Defies Choosing

Lynn Colburn Shapiro | Feb 28, 2018

Deeply Rooted’s “Looking to the Future” a Primer on its Past

Lauren Warnecke | Feb 28, 2018

“Listen” Breaks the Gender/Genre Mold

Lauren Warnecke | Feb 25, 2018

‘Nicely Opinionated’ Ayako Kato Celebrates 20 Years with ‘stück 1998’

Lauren Warnecke | Feb 18, 2018

The Way We Look at Claire Cunningham and Jess Curtis Says More About Us Than Them

Lauren Warnecke | Feb 13, 2018

Doug Varone: Blending the Dancer and the Person

Lynn Colburn Shapiro | Feb 4, 2018

“Project Tool” and the Practicalities of Performance

Lauren Warnecke | Feb 4, 2018

“Brodsky/Baryshnikov” Homage to Artistic Friendship

Lynn Colburn Shapiro | Feb 3, 2018

February's Dance Valentine

Lynn Colburn Shapiro | Jan 30, 2018

“If Left Unchecked” Lays Out the Puzzle Pieces of Female Rage

Lauren Warnecke | Jan 26, 2018

Elevate Chicago Dance and a moment of recognition

Zachary Whittenburg | Jan 8, 2018

Brian Brooks’ Physics of Un-falling

Lynn Colburn Shapiro | Jan 8, 2018