reviews

+ Advanced Search

Eighth Winning Works is Polished and Professional (per usual)

Lauren Warnecke | Mar 7, 2018

Multiple Generations Take a Jaunt “Into the Forest”

Lauren Warnecke | Mar 7, 2018

“One Line Drawn” Raises the Barre for Both Brian Brooks and Miami City Ballet

Lynn Colburn Shapiro | Mar 6, 2018

March Double Header Defies Choosing

Lynn Colburn Shapiro | Feb 28, 2018

Deeply Rooted’s “Looking to the Future” a Primer on its Past

Lauren Warnecke | Feb 28, 2018

“Listen” Breaks the Gender/Genre Mold

Lauren Warnecke | Feb 25, 2018

‘Nicely Opinionated’ Ayako Kato Celebrates 20 Years with ‘stück 1998’

Lauren Warnecke | Feb 18, 2018

The Way We Look at Claire Cunningham and Jess Curtis Says More About Us Than Them

Lauren Warnecke | Feb 13, 2018

Doug Varone: Blending the Dancer and the Person

Lynn Colburn Shapiro | Feb 4, 2018

“Project Tool” and the Practicalities of Performance

Lauren Warnecke | Feb 4, 2018

“Brodsky/Baryshnikov” Homage to Artistic Friendship

Lynn Colburn Shapiro | Feb 3, 2018

February's Dance Valentine

Lynn Colburn Shapiro | Jan 30, 2018

“If Left Unchecked” Lays Out the Puzzle Pieces of Female Rage

Lauren Warnecke | Jan 26, 2018

Elevate Chicago Dance and a moment of recognition

Zachary Whittenburg | Jan 8, 2018

Brian Brooks’ Physics of Un-falling

Lynn Colburn Shapiro | Jan 8, 2018

EDITOR’S PICKS FOR 2017

Lynn Colburn Shapiro | Dec 30, 2017

Dancing Into the New Year

Lynn Colburn Shapiro | Dec 27, 2017

Chicago Tap Theatre Stages Joyful Tap “Tidings”

Lynn Colburn Shapiro | Dec 12, 2017

Twyla Tharp: Exploring Movement With a Vengeance

Lynn Colburn Shapiro | Dec 11, 2017

Hubbard Street Delivers Stunning Picture of Crystal Pite

Lynn Colburn Shapiro | Dec 10, 2017